Seattle Koolhaas
Peter Bill’s rough cut of Respectable Citizen’s performance at “the florence,” an old theater at the base of Smith Tower, Seattle, that had lain dormant and empty for 14 years.
Respectable Citizen
Respectable Citizen on April Fool’s day at the Brass Unicorn, in Fresno: with Bruce, Vance, Byron, Marcos, and Peter Bill’s video (which is inaudible).
Knock on the Sky
(2005-6), electronic music and sensor programming for Myra Melford
Listen Edgemar
(2004), with Hugh Livingston
installed at Edgemar, Santa Monica, California, USA
Daguerreotype
[Audio clip: view full post to listen] 2002, 21′ for violoncello and live electronics First performance: April 2002, Smith Hall, Irvine Commissioned and performed by Hugh Livingston, violoncelloSubsequent Performances: April 2002, EMF@ The Flea, New York September 2005, Sacramento New Music Festival, Frances Marie Uitti
News Cycle #2
2006, 20′ for video and tablet-driven live electronics with video by Anthony Discenza News Cycle #2 is a live collaborative digital artwork consisting of reprocessed and interwoven excerpts from three 24-hour cable news networks. The raw material is 36 hours of news footage, 12 hours each from CNN, MSNBC and Fox news from one day …
Operations on Waveforms
Some sounds fell into place as I was preparing for Headfest 2007. [Audio clip: view full post to listen] This is binaurally encoded, so listen with headphones if you can.
Alone in a Crowded Room
a situation for solo alto flute and live electronics (2005) [Audio clip: view full post to listen] My musical interests in Alone in a Crowded Room are twofold. Electronically, I am exploring macroscopic and microscopic processes in the time domain. At the same time, I am engaged with the physical reality of the alto flute …