PacketWeather

PacketWeather

PacketWeather is a multimedia installation that visualizes and sonifies the data traffic that continuously surrounds us.

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Seattle Koolhaas

Peter Bill’s rough cut of Respectable Citizen’s performance at “the florence,” an old theater at the base of Smith Tower, Seattle, that had lain dormant and empty for 14 years.

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Respectable Citizen

Respectable Citizen on April Fool’s day at the Brass Unicorn, in Fresno: with Bruce, Vance, Byron, Marcos, and Peter Bill’s video (which is inaudible).

Labirynt

saxophones and orchestra [Audio clip: view full post to listen] “A labyrinthine man never seeks the truth, but only his Adriadne.” – Nietzsche

Daguerreotype

[Audio clip: view full post to listen] 2002, 21′ for violoncello and live electronics First performance: April 2002, Smith Hall, Irvine Commissioned and performed by Hugh Livingston, violoncelloSubsequent Performances: April 2002, EMF@ The Flea, New York September 2005, Sacramento New Music Festival, Frances Marie Uitti

News Cycle #2

2006, 20′ for video and tablet-driven live electronics with video by Anthony Discenza News Cycle #2 is a live collaborative digital artwork consisting of reprocessed and interwoven excerpts from three 24-hour cable news networks. The raw material is 36 hours of news footage, 12 hours each from CNN, MSNBC and Fox news from one day …

Respectable Citizen

Live at Studio 74, Fresno, CA 2 June 2009 More music: [Audio clip: view full post to listen] Respectable Citizen is an electronic improv-core ensemble that simply eludes any classification beyond eclectic. Their sound has been described as everything from ambient, illbient, experimental electronic, drum n bass, dub electronic, down-tempo, lounge, raga-esque, space rock, prog …

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Operations on Waveforms

Some sounds fell into place as I was preparing for Headfest 2007. [Audio clip: view full post to listen] This is binaurally encoded, so listen with headphones if you can.

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Alone in a Crowded Room

a situation for solo alto flute and live electronics (2005) [Audio clip: view full post to listen] My musical interests in Alone in a Crowded Room are twofold. Electronically, I am exploring macroscopic and microscopic processes in the time domain. At the same time, I am engaged with the physical reality of the alto flute …

Urban Myths

for flute, clarinet, violin, violoncello, & percussion (1997) [Audio clip: view full post to listen] This piece was inspired by Italo Calvino’s Le città invisibili, and shares a similar formal construction. It was performed in 1998 in Hertz Hall, Berkeley by the Berkeley Contemporary Chamber Players, directed by Bruce Bennett.