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	<title>Michael Ferriell Zbyszyński</title>
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	<description>• music • art • technology •</description>
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		<title>Charcutepalooza</title>
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		<comments>http://www.mikezed.com/charcutepalooza/#comments</comments>
		<pubDate>Fri, 13 May 2011 18:54:00 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[experiments]]></category>
		<category><![CDATA[gastronomy]]></category>

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		<description><![CDATA[Duck prosciutto]]></description>
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		<title>Musical Applications of CNMAT Technologies</title>
		<link>http://www.mikezed.com/musical-applications-of-cnmat-technologies/</link>
		<comments>http://www.mikezed.com/musical-applications-of-cnmat-technologies/#comments</comments>
		<pubDate>Wed, 25 Nov 2009 21:57:54 +0000</pubDate>
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				<category><![CDATA[electronic music]]></category>
		<category><![CDATA[teaching]]></category>

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		<description><![CDATA[2007: Sound Installation Technologies An overview of aesthetic and practical issues of long running, installation-based sound and media artworks. Sound installations are compared to concert music, and site-specific works are examined. Strategies for developing and maintaining robust, reliable, and effective pieces are covered. Archived webcasts course website 2006: CNMAT Spectral Tutorials An introduction to CNMAT ...]]></description>
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		<title>short bio</title>
		<link>http://www.mikezed.com/short-bio/</link>
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		<pubDate>Wed, 25 Nov 2009 21:48:19 +0000</pubDate>
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				<category><![CDATA[about]]></category>
		<category><![CDATA[biography]]></category>

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		<description><![CDATA[Michael Ferriell Zbyszyński is a composer, sound artist, and performer in the field of contemporary electroacoustic music. Playing woodwinds, live electronics, or things made from coffee cans and PVC, he has appeared with Brass Liberation Orchestra, Respectable Citizen, Roscoe Mitchell, Myra Melford, Frank Gratkowski, the Berkeley Symphony Orchestra, the Merce Cunningham Dance Company, Capacitor Performance ...]]></description>
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		<title>selected publications</title>
		<link>http://www.mikezed.com/selected-publications/</link>
		<comments>http://www.mikezed.com/selected-publications/#comments</comments>
		<pubDate>Mon, 16 Nov 2009 00:03:48 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[about]]></category>
		<category><![CDATA[publications]]></category>

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		<description><![CDATA[Intergalactose Scream: Make a milk-bottle megaphone in Buckley, Patrick and Lily Binns, eds. The Hungry Scientist Handbook (HarperCollins Publishers: New York, 2008) pp. 74-82. An Elementary Method for Tablet (NIME Genoa 2008) Molecular Gastronomy: Spherify your food for a new culinary experience (Make Magazine, Vol. 14 pp. 149-152, 2008) Design and Implementation of CNMAT&#8217;s Pedagogical ...]]></description>
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		<title>Post-tonal Theory &amp; Analysis</title>
		<link>http://www.mikezed.com/post-tonal-theory-analysis/</link>
		<comments>http://www.mikezed.com/post-tonal-theory-analysis/#comments</comments>
		<pubDate>Sun, 25 Oct 2009 21:19:02 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Mills College]]></category>
		<category><![CDATA[teaching]]></category>
		<category><![CDATA[theory & composition]]></category>

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		<description><![CDATA[Music 148/248–Fall 2009Post-Tonal Theory and AnalysisTuesday/Thursday—1-2:15Professor Michael Zbyszynskimzbyszynski@mills.edu This course covers basic concepts and techniques employed in post-tonal theory and analysis. Topics covered will include pitch-class sets, combinatoriality, integral serialism, twelve-tone areas, formal, rhythmic, and motivic analysis. Students will study analytical techniques developed by mainstream music theory. The first half of the semester will cover ...]]></description>
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		<title>SOLO</title>
		<link>http://www.mikezed.com/solo/</link>
		<comments>http://www.mikezed.com/solo/#comments</comments>
		<pubDate>Tue, 26 Sep 2006 18:39:51 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[experiments]]></category>
		<category><![CDATA[software]]></category>
		<category><![CDATA[download]]></category>
		<category><![CDATA[max]]></category>

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		<description><![CDATA[This is a little abstraction that could handle the logic for a mixer-style solo button.  It was a bit of a logic puzzle to figure out, although the result is pretty simple. download solo.zip]]></description>
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		<title>University of California, Irvine</title>
		<link>http://www.mikezed.com/university-of-california-irvine/</link>
		<comments>http://www.mikezed.com/university-of-california-irvine/#comments</comments>
		<pubDate>Tue, 25 May 2004 22:14:22 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[electronic music]]></category>
		<category><![CDATA[teaching]]></category>
		<category><![CDATA[UC Irvine]]></category>

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		<description><![CDATA[Music, Technology and Computers Music, Technology and Computers studies the influence of technology upon the musical culture and aesthetics of the United States in the 20th century, with particular emphasis on the role of the computer. This study necessarily involves many disciplines: music, physics and acoustics, cognitive science, computer science, electronic audio technology, and media ...]]></description>
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		<title>Berklee College of Music</title>
		<link>http://www.mikezed.com/berklee-college-of-music/</link>
		<comments>http://www.mikezed.com/berklee-college-of-music/#comments</comments>
		<pubDate>Tue, 25 Nov 2003 22:37:43 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Berklee College of Music]]></category>
		<category><![CDATA[teaching]]></category>
		<category><![CDATA[theory & composition]]></category>

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		<description><![CDATA[Tonal Counterpoint 1 Free counterpoint within a diatonic tonal context. Emphasis on two-voice and melody/bass combinations. Two-part Canon and Invention Two-part cannon and two-part invention in the traditional style Traditional Harmony &#38; Composition 1 Diatonic harminic analysis in various musical textures. Melody writing. Harmonization of Melodies in various musical textures. Traditional Harmony &#38; Composition 2 ...]]></description>
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		<slash:comments>0</slash:comments>
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		<title>curriculum vitæ</title>
		<link>http://www.mikezed.com/curriculum-vitae/</link>
		<comments>http://www.mikezed.com/curriculum-vitae/#comments</comments>
		<pubDate>Sun, 29 Nov 1970 02:03:38 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[about]]></category>
		<category><![CDATA[cv]]></category>

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		<description><![CDATA[]]></description>
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		<title>contact</title>
		<link>http://www.mikezed.com/contact/</link>
		<comments>http://www.mikezed.com/contact/#comments</comments>
		<pubDate>Sat, 10 Nov 0209 19:30:29 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[about]]></category>
		<category><![CDATA[contact]]></category>

		<guid isPermaLink="false">http://www.mikezed.com/?p=324</guid>
		<description><![CDATA[&#60;z(at)mikezed.com&#62; or smoke signals from burning ancient, malfunctioning CPUs really, whatever works for you]]></description>
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