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	<title>Michael Ferriell Zbyszyński &#187; Berklee College of Music</title>
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		<title>Berklee College of Music</title>
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		<pubDate>Tue, 25 Nov 2003 22:37:43 +0000</pubDate>
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				<category><![CDATA[Berklee College of Music]]></category>
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		<description><![CDATA[Tonal Counterpoint 1 Free counterpoint within a diatonic tonal context. Emphasis on two-voice and melody/bass combinations. Two-part Canon and Invention Two-part cannon and two-part invention in the traditional style Traditional Harmony &#38; Composition 1 Diatonic harminic analysis in various musical textures. Melody writing. Harmonization of Melodies in various musical textures. Traditional Harmony &#38; Composition 2 &#8230;]]></description>
			<content:encoded><![CDATA[<h2>Tonal Counterpoint 1</h2>
<p>Free counterpoint within a diatonic tonal context. Emphasis on two-voice and melody/bass combinations.</p>
<h4>Two-part Canon and Invention</h4>
<p>Two-part cannon and two-part invention in the traditional style</p>
<h4>Traditional Harmony &amp; Composition 1</h4>
<p>Diatonic harminic analysis in various musical textures.  Melody writing.  Harmonization of Melodies in various musical textures.</p>
<h4>Traditional Harmony &amp; Composition 2</h4>
<p>Advanced traditional harmony and intermediate compositional procedures.  Seventh Chords, altered chords, modulation.</p>
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